EliotGrasso.com
 
 
Baltimore native and Oregon resident, Eliot Grasso, hails from a long line of familial musicians. He began playing Irish traditional music on the flute at age seven, tin whistle at age eight, and uilleann pipes at age eleven, his earliest exposure including the music of The Chieftains and The Bothy Band. In January of 1995, Eliot began studying rudimentary piping technique with Paul Levin and later that year, began studying advanced piping technique with Na Píobairí Uilleann instructor, Kieran O'Hare. Since 1996, Eliot has won regional and international first, second, and third place titles at the Mid-Atlantic Fleadh Cheoil and Ireland's International Fleadh Cheoil na hÉireann in the uilleann pipes and tin whistle divisions.
 
Eliot has made appearances at the Kennedy Center with Liz Carroll, Constitution Hall with Ethnomusicologist Dr. Mick Moloney, the Joseph Meyerhoff Symphony Hall with The Chieftains, the Library of Congress with Cherish the Ladies, the National Building Museum, the National Geographic Concert Hall, and the home of the Irish Ambassador. In addition, Eliot has performed for the National Heritage Awards, Island, the Washington Cathedral Art Symposium, The American Ireland Fund, the US-Ireland Business Summit, and has entertained President and Mrs. Clinton at the National Endowment for the Arts Awards. At the conclusion of the 1998 Fleadh Cheoil na hÉireann, Eliot performed alongside other All-Ireland champions in a concert for Irish President, Mary Robinson.
 
Since 1999, he has performed as a soloist in Patrick Cassidy’s orchestral work, Famine Remembrance, with members of the Washington Chamber Symphony under the direction of Elaine Rendler and Stephen Simon’s Mike Mulligan and the Steam Shovel with the Harrisburg Symphony under the baton of the composer. He was also invited to perform with actor, Russell Crowe, for the unveiling of a memorial to fellow actor Richard Harris in Kilkee, County Clare. Most recently, Eliot has toured the British Isles with the Oregon Chorale directed by Bernd Kuehn and has recorded with the University College Dublin Choral Scholars in Dublin, Ireland.
 
In May 2004, Eliot was invited to perform on National Public Radio through "A Prairie Home Companion" with host Garrison Keillor where he was honored with the Ray Marklund Award for amiable stage presence. Additional live radio broadcasts include RTE’s “The Rolling Wave,” presented by Peter Browne, "The Edge On Folk," hosted by Steve Edge and broadcast from the University of British Columbia, "The Long Acre," hosted by Cindy Reich and broadcast from Ft. Collins, Colorado, and "Our Saturday Tradition," broadcast from Bellevue, Washington.
 
Eliot has been the recipient of the Rosenberg Scholarship for the Arts four times for piano performance and has been twice honored with the Frankie Kennedy Memorial Scholarship to fund music studies in Ireland. In January 2007, he was selected by the Royal Musical Association to present his thesis on Nineteenth-Century Bach Transcriptions before the RMA Student Research Conference in Bristol, England and delivered a paper on recording the uilleann pipes for the Fourth Annual Art of Record Production Conference in Boston.
 
Eliot holds a BA in music from Goucher College and  a Masters Degree in Ethnomusicology from the Irish World Academy of Music and Dance, University of Limerick. Since arriving in Ireland, Eliot was honored with a commission from Na Píobairí Uilleann to record and produce an album of solo piping for the club’s catalogue which was released May 25, 2007. He is currently attending the University of Oregon where he is pursuing doctoral studies in musicology under the auspices of a Graduate Teaching Fellowship. Additionally, Eliot is on the music faculty at the John G. Shedd Institute for the Arts. He and his wife, Kate, reside in Springfield, Oregon.
 
Currently, Eliot is a contributing writer for An Píobaire, issued by Na Píobairí Uilleann and Iris na bPíobairí, the International Journal for Uilleann Pipers issued by Cumann na bPíobairí.
 
 
 
                                                              
 
 
Instruments
 
Uilleann Pipes









Eliot performs exclusively on finely handcrafted instruments. His concert pitch pipes were begun in 1996 by Kirk Lynch of Weston, Missouri and are in blackwood with boxwood mounts and brass ferrules. He performed on a Kirk Lynch bag and bellows borrowing a bubinga chanter on loan from Kirk. In 1997, a new D chanter arrived with C-natural and G-sharp keys. Months later the chanter was sent away to have F-natural and B-flat keys added. The concert pitch drones were completed in 1998. The mainstock is hollow to enhance stability of tone. The same year, Benedict Koehler built composite drone reeds (brass body with wooden tongue) which are still operating perfectly today. The tenor and baritone regulators were completed in 2000.

Eliot's full B set was completed in 2002 by Andreas Rogge of Tubingen, Germany. The chanter is modeled off a Coyne B chanter owned by Jimmy O'Brien-Moran. The drones are copies from Robbie Hannan's 1820 Kenna set. The chanter is fitted with C-natural, G-sharp, B-flat, and two F-natural keys, one long F and one ring F. Blackwood is the material of choice because it renders a clear, focused tone. This set is mounted in boxwood with complementary brass ferrules.

In 2004, Geoff Wooff completed a full C set for Eliot in blackwood, boxwood mounts, and silver metal work with fluting on the bass regulator and drones. The chanter is fitted with C-natural, high D, ring F-natural, G-sharp, and B-flat keys. 



Flutes









Eliot performs on a keyless concert flute made of boxwood by Patrick Olwell dated 2000 and a fully keyed blackwood E-flat flute by Eamonn Cotter completed 2004. 


Whistles











John Sindt instruments are Eliot’s whistle of choice. Each of these high-quality brass, cylindrical whistles (E-flat, D, C-sharp, C, B, B-flat, and A) is handcrafted to specification. Sindt whistles are very responsive producing a warm, clear tone reminiscent of a well played in generation whistle.
“An ounce of talent should always be cut with a liter of humility.” - e.g.
 
 
 
“The only dead art is a forgotten one.”    - e.g.
 
 
 
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Biography